Patience is a virtue that I sadly don’t have. Whilst I can
see the appeal of atmospheric electronic musicians like Jon Hopkins and the
Haxan Cloak, I often find myself clockwatching during the big long build-ups.
An artist like loopy French house producer, Mr. Oizo, is much more up my street.
He doesn’t allow time to breath, let alone check a watch. Employing AD/HD
pacing, he cuts out the foreplay and assaults the listener from the off.
“A collection of profound and epic album reviews and musical articles by former astronaut and brain surgeon, Alasdair Kennedy. Reaching levels of poetry that rival Keats and Blake, the following reviews affirm Alasdair to be a prodigy, a genius and a god whose opinion is always objectively right. He is also without a doubt the most modest man in the universe.” - Alasdair Kennedy
Friday, 28 November 2014
Thursday, 27 November 2014
Review of 'Bloodstone & Diamonds' by Machine Head
You can always tell a Machine Head
track from a number of motifs – namely lots of harmonic notes, lots of beastly
grooves and lots of blood-pumping sing-growling courtesy of Rob Flynn. Over
time, the Oakland metalheads have also brought in a number of new stylistic
features. The Blackening saw them garnering more
progressiveness and old-skool thrashiness, whilst The Locust introduced orchestral strings and
more symphonic tracks.
Wednesday, 26 November 2014
BEST AND WORST NEW TRACKS OF THE WEEK 26/11/2014: Wu-Tang Clan, Faith No More, AC/DC and more...
It’s comeback week. Wu-Tang Clan, Faith No More,
AC/DC and Gwen Stefani have all returned with new singles. As usual, I divide
the good’uns and bad’uns. Is bad’un even a word? Too late, I’ve typed it out
now, there’s no going back...
Tuesday, 25 November 2014
Review of 'Cadillactica' by Big K.R.I.T.
Whilst the rest of the southern rap scene have been getting
busy riding throwaway trap beats and dropping throwaway punchlines, Big K.R.I.T has
been steadily moving away and sculpting his own much more original and quite
possibly influential sound. He’s always been a standout character in deep south
hip hop, mainly down to his speedily tight and acrobatic flows. He can jump
around any beat at any tempo he likes and still perfectly articulate every
word.
Wednesday, 19 November 2014
Monday, 17 November 2014
Sunday, 16 November 2014
My Top 10 Favourite Album Covers
I’ve always appreciated album artwork. I still buy physical
copies of albums, sometimes just for the record sleeves. In fact, most of the
time I throw away the CD and just keep the case.
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