Friday, 18 July 2025

BEST AND WORST NEW TRACKS OF THE FORTNIGHT 18/07/2025: Guerilla Toss, Syd, Drake and more…

Artists featured this week include Guerilla Toss, Syd, ESKA, Spin Class, Loud George, Jacqui, Drake and Jojo Siwa…

THE BEST:

‘Life’s A Zoo’ – Guerilla Toss ft. Stephen Malkmus & Ben Katzman

This song is batshit insane even by Guerilla Toss standards. It starts off with semi-skronky guitars, video game synths and cheerleader chants of ‘Life’s a Zoo (you’re so uncool!)’ – the usual cartoonish art rock we’ve come to know and love from the band - but then we’re transported through a wormhole 50 seconds in. And then it’s a series of crazy twists and turns including a intense disco-punk section and a flamboyant guitar solo from Ben Katzman. Of all the singles we’ve heard off the  band’s upcoming album You’re Weird Now, this might be the weirdest so far. I’m still trying to process it, but I think it may be my favourite Guerilla Toss single to date.      

‘Die For This’ – Syd

‘Die For This’ is Syd’s first song in three years. The ex-Odd-Future member and founder of The Internet (the band, not the World Wide Web) has long had a knack for writing silky and smooth R&B jams, and this new single shows she’s still got it. At points, her delivery reminds me of SZA. Except without the explicit/toxic lyrics you usually get in a SZA track.     

‘Down Here’ – ESKA

Echoing Prince-like vocals and tumultuous drums make up this excitingly chaotic and layered track from London singer-songwriter and multi-instrumentalist ESKA. It’s the opening song off her new album The Ordinary Life of a Magic Woman - a record that was released two months ago, but that I’ve just got around to listening to – and I can honestly say that all of the tracks on the album are insanely fun and just as musically impressive. Themed around motherhood and artistry, it’s an album about the chaos of juggling both roles.  

‘Bagel Bagel Bagel’ – Spin Class

‘Bagel Bagel Bagel’ contrasts raw punky riffs and intricate proggy breakdowns while topping it with some energetic Chris-Cornell-like vocals. Singer/lyricist Louis Slater provides this explanation of the song’s title in the press release: ‘Do you ever feel like a bagel? A soft, round but delicious outside with a hole in the middle where all the bits should be? Now times that by three and you get Bagel Bagel Bagel’. Honestly, I am none the wiser as to what the song it about, but I’m enjoying the hell out of it nonetheless. The track was produced by Josh Gallup of Krooked Tongue (who I’ve previously featured on the blog) and comes off their new EP titled Dinner at Derek’s (out today).

‘Blue’ – Loud George

Loud George lives up to his name with this loud song. It deceives you at first with its grungy but relatively softly-sung first verse. But then the chorus comes hurtling in like a freight train with its screeched vocals, angry drums and jagged guitars. Something worth noting: Loud George is in fact three people and not just one person called George playing all the instruments at the same time. In fact, none of the members of this trio are called George. Who is this mysterious George??

‘Fries bb’ – Jacqui

‘Fries bb’ is a late-night burger shop love song about ordering food when you’re not hungry just so you can hang out with your crush. I’m diggin the groovy neo-soul beat and glitchy playful vocals that singer/songwriter/producer Jacquie self-describes as ‘aggressive (in a cute way)’.

THE WORST:

‘What Did I Miss?’ – Drake


Is dredging up last year’s hip hop beef a good idea? No. But Drake is doing it anyway. ‘What Did I Miss?’ is less of a diss track and more of a whine track – rather than attacking Kendrick, it indirectly attacks everyone who sided with Kendrick during the rap battle. It’s poorly mixed and repetitive and has me a little worried as to what direction he may take on Iceman.

‘Bette Davis Eyes’ – Jojo Siwa

This Kim Carnes cover seems totally unnecessary and the raspiness in her voice is totally OTT (one Instagram user called it ‘an anti-smoking campaign’). And yet it somehow manages to be less embarrassing than last year’s ‘Karma’.

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