Review of ‘Worldwide’ by Snooper

Nashville ‘egg punk’ band Snooper whip up a mix of egg-plosive rock tunes.

Review of 'Getting Killed' by Geese

It’s time to give the new Geese record a gander.

Review of 'Live Laugh Love' by Earl Sweatshirt

Live Laugh Love is like a happier version of Some Rap Songs.

Review of 'Never Enough' by Turnstile

The Baltimore band are back with more jagged riffs, anthemic vocals and perhaps a few too many ambient interludes.

Double Review: 'Eusexua' by FKA Twigs and 'Fancy That' by PinkPantheress

Two albums by two UK female pop stars: Eusexua is an exciting return to Twigs’ experimental side, whereas Fancy That is a fun-but-fleeting barrage of retro club bangers.

Review of 'Cowards' by Squid

Squid deliver more squirming art rock tunes – this time with more grisly subject matter.

Review of 'Hurry Up Tomorrow' by The Weeknd

Hurry Up Tomorrow is another lengthy 80s-flavoured synthpop album. It’s also The Weeknd’s final album.

Review of ‘Cool World’ by Chat Pile

The sludge metal band’s second album sees them trading pure horror for pure anger.  

Triple Album Review: ‘Dark Times’ by Vince Staples, ‘King of The Mischievous South vol 2’ by Denzel Curry & ‘I Lay Down My Life For You’ by JPEGMAFIA

I haven’t reviewed many hip hop albums this year. In fact, I haven’t reviewed many albums full-stop. So, here’s a three-album-in-one review to make up for it.

Double Review: 'Brat' by Charli XCX and 'C,XOXO' by Camila Cabello

Brat is the year’s best dance-pop album. And C,XOXO is what you get when order Brat from Temu.

Review of ‘Empathogen’ by Willow

 

Willow branches out further from her pop roots, trading pop punk for prog jazz.

Review of ‘Cowboy Carter’ by Beyonce

Cowboy Carter stretches the definition of ‘country’. Which is no bad thing, as I’m not the biggest country fan.

Review of ‘Half Divorced’ by Pissed Jeans

Pennsylvania punks Pissed Jeans deliver a selection of songs that are as hilariously grim as their band name.

Review of 'Blue Lips' by Schoolboy Q

Despite pushing 40, Q still has incredible energy to give, and arguably the best ear for beats in the game.

Review of 'Tangk' by Idles

Idles swap angry punky protest songs for mellow experimental love songs.

Review of 'Playing Robots Into Heaven' by James Blake

After a decade of ethereal ballads, James Blake returns to his roots and delivers some exciting experimental EDM.

Review of '10,000 Gecs' by 100 Gecs

Goodbye hyperpop. Hello hyperrock.

Review of 'Scaring The Hoes' by JPEGmafia and Danny Brown

Scaring The Hoes sees rappers JPEGmafia and Danny Brown celebrating their mutual weirdness. If you want to get kicked out of a house party for ‘scaring the hoes’, play this album (although I can think of much worse examples if you really want to cause utter chaos. Imagine putting Trout Mask Replica on the aux. Or maybe some Merzbow? That’s how you scare the hoes.)

Double Review: 'Gigi's Recovery' by The Murder Capital and 'Food for Worms' by Shame

British/Irish post-punk continues to thrive in 2023. But it looks like spoken word is out, and singing is back in.

Review of 'Let's Start Here' by Lil Yachty

Lil Yachty has evolved. Enter Mega Yachty.