Carti has released Music. Is it worth the 5 year wait?
“A collection of profound and epic album reviews and musical articles by former astronaut and brain surgeon, Alasdair Kennedy. Reaching levels of poetry that rival Keats and Blake, the following reviews affirm Alasdair to be a prodigy, a genius and a god whose opinion is always objectively right. He is also without a doubt the most modest man in the universe.” - Alasdair Kennedy
I haven’t reviewed many hip hop albums this year. In fact, I haven’t reviewed many albums full-stop. So, here’s a three-album-in-one review to make up for it.
Despite pushing 40, Q still has incredible energy to give, and arguably the best ear for beats in the game.
Doja’s claws are out. Gone are the horny alien pop bops. She’s now making angry demonic rap. And it’s both fun and frustrating to listen to.
The guestlist is impressive and the production is fun, but it’s still not enough to conceal the fact that Travis Scott is an utterly unexciting rapper.
Scaring The Hoes sees rappers JPEGmafia and Danny Brown celebrating their mutual weirdness. If you want to get kicked out of a house party for ‘scaring the hoes’, play this album (although I can think of much worse examples if you really want to cause utter chaos. Imagine putting Trout Mask Replica on the aux. Or maybe some Merzbow? That’s how you scare the hoes.)
Mr Morale & The Big Steppers is a masterpiece – and quite possibly my favourite Kendrick album to date.
Denzel is sounding less aggressive and more introspective here. And he’s jumping on some of the most stylistically diverse beats of his career. It’s an exhilarating album – but is it better than his 2018 masterpiece TA1300?
Earl is rapping on actual beats this time. But despite being more accessible, SICK! isn’t as ‘infectious’ as I’d hoped.
Despite the uninspired name (he blatantly took it from a rapper name generator), Lil Nas X has fast become one of the most exciting and unique artists in modern mainstream hip hop. But is it all just gimmicks?
Certified Lover Boy features some of the Canadian singer-rapper’s best songs to date – but also some of his worst.
Despite the messy roll-out, the bloated tracklist (27 tracks???) and the non-existent album art, Donda is not the slapdash slog I expected it to be. In fact, there are some solid and spectacular songs here.