BEST AND WORST NEW TRACKS OF THE WEEK 26/11/2014: Wu-Tang Clan, Faith No More, AC/DC and more...

It’s comeback week. Wu-Tang Clan, Faith No More, AC/DC and Gwen Stefani have all returned with new singles. As usual, I divide the good’uns and bad’uns. Is bad’un even a word? Too late, I’ve typed it out now, there’s no going back...

Review of 'Cadillactica' by Big K.R.I.T.

Whilst the rest of the southern rap scene have been getting busy riding throwaway trap beats and dropping throwaway punchlines, Big K.R.I.T has been steadily moving away and sculpting his own much more original and quite possibly influential sound. He’s always been a standout character in deep south hip hop, mainly down to his speedily tight and acrobatic flows. He can jump around any beat at any tempo he likes and still perfectly articulate every word.

BEST AND WORST NEW TRACKS OF THE WEEK 19/11/2014: Dizzee Rascal, Screaming Females, Band Aid 30 and more...

It's that time of the week again where I become Simon Cowell and make fun of musicians whilst vaguely complimenting some of them. This week I hate on a charity single and make tasteless jokes about being a child-killer.

Review of 'Motion' by Calvin Harris

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My Top 10 Favourite Album Covers

I’ve always appreciated album artwork. I still buy physical copies of albums, sometimes just for the record sleeves. In fact, most of the time I throw away the CD and just keep the case.

Review of 'Sonic Highways' by Foo Fighters

When you accompany your album with a HBO TV series and proclaim it as an ‘ode to American music’ you set the expectations bar pretty high. Sonic Highways would have had to be the next White Album for it to have lived up to the stupendous sea of hype surrounding it. No-one can carry that off, not even the Foo Fighters, and they’re the biggest modern rock band we have.

Review of 'Pom Pom' by Ariel Pink

This album is essentially a dude rambling sleazy nonsense over a bunch of lo-fi instrumentals that sound like they’re straight from eighties TV commercials. It’s cheesy. It’s silly. It's, for the most part, terribly uncool. It’s also among one of the best records I’ve heard all year.