Friday, 30 January 2015

Review of 'Lucky Leaves' by Krill


All you bands who think it’s cool to release your album on cassette tape in 2015 aren’t thinking outside the box enough. Boston indie rockers, Krill, have made their album available on USB. That’s not all – the USB stick comes embedded in a ball of mozzarella cheese.

Wednesday, 28 January 2015

BEST AND WORST NEW TRACKS OF THE WEEK 28/01/2015: Charli XCX, Rihanna, Onoe Caponoe and more...


I didn't find anything truly worthy of slating this week, so I've decided to just dedicate it to 'the best' tracks of the week. I'm getting too soft. Enjoy!

Saturday, 24 January 2015

Review of 'Panda Bear Meets The Grim Reaper' by Panda Bear


A popular pastime of mine is thinking about what it feels like to die. I'm great at parties.

Friday, 23 January 2015

Review of 'Vulnicura' by Bjork


Vulnicura marks another weird and wonderful chapter in the eccentric Icelandic singer’s discography. I tried googling a definition of the album title but couldn’t find anything. Where does Bjork come up with these names?

Wednesday, 21 January 2015

BEST AND WORST NEW TRACKS OF THE WEEK 21/01/2015: Giorgio Moroder & Kylie Minogue, Django Django, Lil Wayne and more...


It's that time of the week where I share lots of Soundcloud links. Adjust your speakers. Get that knot out of your headphones. Make sure you're sitting comfortably. Shall we begin?

Tuesday, 20 January 2015

10 Albums I'm Looking Forward to in 2015


Well done 2014. You brought us twerking. You brought us trap. You brought us Todd Terje. You brought us Taylor Swift. You were an interesting year for music, but now it is time we said goodbye and hello to 2015. Enter Kanye West. Enter Kendrick Lamar. Already, I feel you're going to be an interesting year too. Here are some of the artists' whose albums I'm getting hyped up for.

Review of 'Uptown Special' by Mark Ronson


Some people might roll their eyes at the idea of a funk album in 2015. There’s an awful lot of retro music coming out these days. Whilst there are a lot of cheap imitations, Mark Ronson’s latest full-length is a true homage carried out with soul and conviction.