None of the music this week is particularly accessible. If
you don’t like it, try somewhere poppy like the charts, or Pop Justice, or
Pitchfork…
“A collection of profound and epic album reviews and musical articles by former astronaut and brain surgeon, Alasdair Kennedy. Reaching levels of poetry that rival Keats and Blake, the following reviews affirm Alasdair to be a prodigy, a genius and a god whose opinion is always objectively right. He is also without a doubt the most modest man in the universe.” - Alasdair Kennedy
Friday, 13 January 2017
Wednesday, 11 January 2017
Friday, 6 January 2017
BEST AND WORST NEW TRACKS OF THE WEEK 06/01/2017: London Grammar, Desperate Journalist, Desiigner and more...
Every musical artist ever seemed to release music last year
(or at least every artist I care about). What does this new year have to bring
to the table? Come on 2017. You have a lot of living up to do…
Tuesday, 27 December 2016
My Top 20 Favourite Albums of 2016
We lost a lot of good musicians
this year. But that isn’t to say 2016 has been an awful year for music. In
terms of albums, there have been some impressive releases this year that show
we can all still look forward to the future with optimism. Here are my personal
favourites.
Friday, 23 December 2016
BEST AND WORST NEW TRACKS OF THE WEEK 23/12/2016: Pool Art, Daniel Caeser, Mick Jenkins and more...
I wasn’t going to do any more 'tracks of the week' segments this year, but I’ve been getting some good stuff
sent my way in the last fortnight and just had to share it. This may well be
the last post of 2016, so Merry Christmas and a happy a new year! Wait, where’s
my card and present?
Wednesday, 21 December 2016
Tuesday, 13 December 2016
My Top 20 Favourite Tracks Of 2016
It’s time for my favourite tracks
of the year, having already given you my worst (there’s a pun here that will
become clear by the end).
Indie rock with a Cure vibe that
feels as bouncy as it does forlorn. ‘It
tastes bittersweet/ beneath the lemon trees’.
19. ‘The Big Big Beat’ – Azealia Banks
This nostalgic house banger has
all the ingredients of a good Azealia anthem – glitzy singing, tongue-twister
rapping and a big big beat!
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