Glitch Mob’s debut, Drink the Sea, was rich in atmosphere and although the tracks were a
little too quirky for your average night club they had a unique character to
them that pulled in the listener. Love
Death Immorality, the electronic three-piece’s second album, seems to be a
step in the wrong direction.
“A collection of profound and epic album reviews and musical articles by former astronaut and brain surgeon, Alasdair Kennedy. Reaching levels of poetry that rival Keats and Blake, the following reviews affirm Alasdair to be a prodigy, a genius and a god whose opinion is always objectively right. He is also without a doubt the most modest man in the universe.” - Alasdair Kennedy
Thursday 27 February 2014
Friday 21 February 2014
Thursday 20 February 2014
Review of "Civilia Demo" by Isaiah Rashad
Top Dawg Entertainment’s latest inductee shows
off his versatility on this super-chill so-called “EP” (since when did a nearly-fifty-minute
running time not constitute as a full album?).
Thursday 6 February 2014
Review of "Benji" by Sun Kil Moon
At a glance, some of the track titles on this album – “I can’t
live without my mum” and “I love my dad” – initially struck me as childish and soppy. However, this succinct openness swiftly
reveals itself to be the thing that makes Benji
so goddamn good.
Wednesday 5 February 2014
Review of "So Long, See You Tomorrow" by Bombay Bicycle Club
So Long, See You Tomorrow
is a vibrant, jaunty record buzzing with cosmopolitan sounds from all around
the globe.
Tuesday 4 February 2014
Review of "Rave Tapes" by Mogwai
This is my first encounter with Glaswegian
post-rock group, Mogwai. I’ve never liked the term “post-rock” but because
I don’t know how else to categorise this group I’ll roll with the term just
this once.
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