Friday, 28 November 2014
Patience is a virtue that I sadly don’t have. Whilst I can see the appeal of atmospheric electronic musicians like Jon Hopkins and the Haxan Cloak, I often find myself clockwatching during the big long build-ups. An artist like loopy French house producer, Mr. Oizo, is much more up my street. He doesn’t allow time to breath, let alone check a watch. Employing AD/HD pacing, he cuts out the foreplay and assaults the listener from the off.
Thursday, 27 November 2014
You can always tell a Machine Head track from a number of motifs – namely lots of harmonic notes, lots of beastly grooves and lots of blood-pumping sing-growling courtesy of Rob Flynn. Over time, the Oakland metalheads have also brought in a number of new stylistic features. The Blackening saw them garnering more progressiveness and old-skool thrashiness, whilst The Locust introduced orchestral strings and more symphonic tracks.
Wednesday, 26 November 2014
It’s comeback week. Wu-Tang Clan, Faith No More, AC/DC and Gwen Stefani have all returned with new singles. As usual, I divide the good’uns and bad’uns. Is bad’un even a word? Too late, I’ve typed it out now, there’s no going back...
Tuesday, 25 November 2014
Whilst the rest of the southern rap scene have been getting busy riding throwaway trap beats and dropping throwaway punchlines, Big K.R.I.T has been steadily moving away and sculpting his own much more original and quite possibly influential sound. He’s always been a standout character in deep south hip hop, mainly down to his speedily tight and acrobatic flows. He can jump around any beat at any tempo he likes and still perfectly articulate every word.
Wednesday, 19 November 2014
BEST AND WORST NEW TRACKS OF THE WEEK 19/11/2014: Dizzee Rascal, Screaming Females, Band Aid 30 and more...
Monday, 17 November 2014
Sunday, 16 November 2014
Friday, 14 November 2014
When you accompany your album with a HBO TV series and proclaim it as an ‘ode to American music’ you set the expectations bar pretty high. Sonic Highways would have had to be the next White Album for it to have lived up to the stupendous sea of hype surrounding it. No-one can carry that off, not even the Foo Fighters, and they’re the biggest modern rock band we have.
Thursday, 13 November 2014
This album is essentially a dude rambling sleazy nonsense over a bunch of lo-fi instrumentals that sound like they’re straight from eighties TV commercials. It’s cheesy. It’s silly. It's, for the most part, terribly uncool. It’s also among one of the best records I’ve heard all year.
Wednesday, 12 November 2014
Sunday, 9 November 2014
I was convinced I’d be retired and in a care home by the time this album got round to dropping. How long’s it been since this album was first scheduled to be released? Ten years? Twenty years? Fifty???
Friday, 7 November 2014
Thursday, 6 November 2014
Wednesday, 5 November 2014
It's weekly round-up time again where I single out the singles that made the best and worst impression on me. I hope you all had a happy Halloween/Guy Fawkes Night/Diwali/belated-Easter.
Monday, 3 November 2014
There are some people who understand the appeal of drone metal and good for them, they’re clearly more open-minded than I am. Personally, Sunn O)))’s schtick - playing one guitar note over and over again at a glacial speed – strikes me as a waste of a fretboard and a waste of my time.