Saturday, 25 November 2017

BEST AND WORST NEW TRACKS OF THE WEEK 25/11/2017: Tom Misch, Billie Eilish, Eastern Barbers and more...



Lots of jazzy soppy heartbreak tunes this week. Get your handkerchief and a tub of Ben and Jerry’s at the ready.

THE BEST:

‘Movie’ – Tom Misch


The little curls on the back of his head bouncing/ as he steps out of my life, forever’. Crikey, that’s some heavy imagery. Soul producer/singer Tom Misch has never sounded so cinematic – this song could easily accompany the breakup scene from a Hollywood tearjerker. The mushy black and white footage of his grandparents and dramatic monologue as courtesy of his sister Polly Misch also make it his most personal work to date.

‘Bitches broken hearts’ – Billie Eilish


Billie Eilish is only 15, and yet she’s able to sing about heartbreak with more maturity than most singers twice her age (even if the track title doesn’t suggest so). The way her voice breaks on the last note around the 2:20 mark gave me goosebumps.

 ‘Blue Flakes’ – Eastern Barbers



Set to a backdrop of drowsy wah-soaked guitars and downbeat bass, this new track sees South London brothers Eastern Barbers trying to reconnect with the innocence of youth. The chorus is absolutely gorgeous with its descending melancholy chords and reverb-soaked la-la-las.

 ‘I Always Wanted You’ – Miles Dismond



San Francisco bedroom artist Miles Dismond offers this lo-fi hybrid of indie and bossa nova, which could be a song about genuine unrequited love or a song about creepy infatuation depending on how you interpret it (the way in which the track eerily crackles in the middle makes me personally think it’s the latter). Fans of Ariel Pink are sure to dig it.

 ‘Pretty Girls’ – Michael Seyer



In case you hadn’t already had your fix of jazzy lounge bar melancholia this week, Michael Seyer’s new track ‘Pretty Girls’ ought to hit the spot. The artist describes his music in his Facebook bio as ‘marijuana hip hop/Indian Guy Cops-step’, which isn’t a genre I can see catching on any time soon.

THE WORST:

‘Santa’s Coming For Us’ – Sia


Even the upbeat tone can't save the fact that the song title 'Santa's coming for us' sounds menacing.

No comments:

Post a Comment