THE BEST:
'Paper' - Sam Gellaitry
18-year-old Scottish electronic producer, Sam Gellaitry, seems to consistently be pushing the envelope, composing jittery instrumentals that play with every sound conceivable. This latest offering starts with some gorgeous piano chords before divebombing into a surprise spiky synth riff. When the key change hit at the end my mind blew and now I can’t get the brain matter off the walls.
'I Don’t Think She Cares' - White Reaper
Kentucky punk rockers, White Reaper, deliver this angry ode to an ex, to the accompaniment of galloping guitars and a loopy Bloc-Party-esque synth riff. I’m particularly liking the singer’s vocal tone here and look forward to hearing a full length album of similarly snappy crazed rock jams (an LP entitled White Reaper Does It Again is in the works!).
'Everyday' - A$AP Rocky (ft. Rod Stewart, Miguel & Mark Ronson)
This isn’t the usual trap rap banger I’ve come to expect
from the Asap mobster, which is refreshing. There is a twerkworthy beat change
in the middle but the remainder feels charmingly old-skool featuring an
organ-heavy beat courtesy of Mark Ronson and a soulful hook shared between
Miguel and - of all people - Rod Stewart.
'Hunter' - Farao
At first I thought this was going to be eerie Marika-Hackman-style folk. Then the electronica kicked in, followed by horns, by which point I’d gave up trying to lump the track under a genre. Nowegian singer-songwriter, Farao, is clearly in lane all of her own. Her haunting vocal delivery is absolutely captivating.
THE WORST:
'Double Cup' - Major Lazer & Riff Raff
Major Lazer isn't sounding obnoxious enough and Riff Raff isn't sounding goofy enough. Otherwise it's the best codeine anthem I've heard this month.
Major Lazer isn't sounding obnoxious enough and Riff Raff isn't sounding goofy enough. Otherwise it's the best codeine anthem I've heard this month.
'Albatraoz' - AronChupa
Swedish or not – they shouldn’t be allowed to get away with
mispronouncing and misspelling random words like this. Urban Dictionary claims
that an Albatraoz is ‘a strong woman’, but I don’t believe them. Clearly, this
track was a deliberate attempt to create the most annoying club song
conceivable. I mean, surely no-one genuinely enjoys this trash? RIGHT?